High-Performing Young Musicians' Playing-Related Pain. Results of a Large-Scale Study.
Identifieur interne : 000270 ( Main/Exploration ); précédent : 000269; suivant : 000271High-Performing Young Musicians' Playing-Related Pain. Results of a Large-Scale Study.
Auteurs : Heiner Gembris [Allemagne] ; Jonas Menze [Allemagne] ; Andreas Heye [Allemagne] ; Claudia Bullerjahn [Allemagne]Source :
- Frontiers in psychology [ 1664-1078 ] ; 2020.
Abstract
The present study examines the prevalence, localization, frequency, and intensity of playing-related pain (PRP) in a sample of high-performing young musicians. We also address coping behavior and communication about PRP between young musicians, teachers, parents, and other people, such as friends. The aim is to provide information on PRP among high-performing musicians in childhood and adolescence, which can serve as a basis for music education, practice, and prevention in the context of instrumental teaching and musicians' health. The study is part of a large-scale study (N = 1,143) with highly musically gifted participants (age 9-24 years; M = 15.1; SD = 2.14, female = 62%) at the national level of the "Jugend musiziert" (youth making music) contest. For data analyses, we used descriptive statistics, correlations, Chi2-tests, principal component analysis, Kruskal-Wallis H tests, and multivariate regression. About three-quarters (76%) of the surveyed participants stated that they had experienced pain during or after playing their instrument. Female musicians were significantly more frequently affected (79%) than male musicians (71%). With increasing age, the prevalence of PRP rises from 71 percent (9-13 years) to 85 percent (18-24 years). Regarding localization of pain, results are in line with many other studies with musculoskeletal problems the most common. Furthermore, data show a clear relationship between the duration of practice and the prevalence of PRP. Our study found averages of 7:18 h/week, whereas mean values of the duration of practice vary considerably between different instruments. The variance in practice duration is very large within the different instruments. Thus, when researching PRP, it is necessary to consider both the differences between different groups of instruments in the average duration of practice as well as the very large inter-individual variation in the duration of practice within a given instrument group. While just over half of the young musicians (56%) felt they had been taken seriously, 32 percent felt that their complaints were not completely taken seriously, and 12 percent did not feel taken seriously at all. Therefore, it is necessary to improve communication and information about PRP to prevent PRP and counteract existing complaints.
DOI: 10.3389/fpsyg.2020.564736
PubMed: 33391080
PubMed Central: PMC7772153
Affiliations:
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Results of a Large-Scale Study.</title><author><name sortKey="Gembris, Heiner" sort="Gembris, Heiner" uniqKey="Gembris H" first="Heiner" last="Gembris">Heiner Gembris</name><affiliation wicri:level="1"><nlm:affiliation>Faculty of Cultural Studies, Institute for Research on Musical Ability, Paderborn University, Paderborn, Germany.</nlm:affiliation><country xml:lang="fr">Allemagne</country><wicri:regionArea>Faculty of Cultural Studies, Institute for Research on Musical Ability, Paderborn University, Paderborn</wicri:regionArea><wicri:noRegion>Paderborn</wicri:noRegion><wicri:noRegion>Paderborn</wicri:noRegion><wicri:noRegion>Paderborn</wicri:noRegion></affiliation></author><author><name sortKey="Menze, Jonas" sort="Menze, Jonas" uniqKey="Menze J" first="Jonas" last="Menze">Jonas Menze</name><affiliation wicri:level="1"><nlm:affiliation>Faculty of Cultural Studies, Institute for Research on Musical Ability, Paderborn University, Paderborn, Germany.</nlm:affiliation><country xml:lang="fr">Allemagne</country><wicri:regionArea>Faculty of Cultural Studies, Institute for Research on Musical Ability, Paderborn University, Paderborn</wicri:regionArea><wicri:noRegion>Paderborn</wicri:noRegion><wicri:noRegion>Paderborn</wicri:noRegion><wicri:noRegion>Paderborn</wicri:noRegion></affiliation></author><author><name sortKey="Heye, Andreas" sort="Heye, Andreas" uniqKey="Heye A" first="Andreas" last="Heye">Andreas Heye</name><affiliation wicri:level="1"><nlm:affiliation>Faculty of Linguistics and Literary Studies, Art and Music Education, Bielefeld University, Bielefeld, Germany.</nlm:affiliation><country xml:lang="fr">Allemagne</country><wicri:regionArea>Faculty of Linguistics and Literary Studies, Art and Music Education, Bielefeld University, Bielefeld</wicri:regionArea><wicri:noRegion>Bielefeld</wicri:noRegion><wicri:noRegion>Bielefeld</wicri:noRegion><wicri:noRegion>Bielefeld</wicri:noRegion></affiliation></author><author><name sortKey="Bullerjahn, Claudia" sort="Bullerjahn, Claudia" uniqKey="Bullerjahn C" first="Claudia" last="Bullerjahn">Claudia Bullerjahn</name><affiliation wicri:level="1"><nlm:affiliation>Department of Social Sciences and Cultural Studies, Institute of Musicology and Music Education, Justus Liebig University Giessen, Giessen, Germany.</nlm:affiliation><country xml:lang="fr">Allemagne</country><wicri:regionArea>Department of Social Sciences and Cultural Studies, Institute of Musicology and Music Education, Justus Liebig University Giessen, Giessen</wicri:regionArea><wicri:noRegion>Giessen</wicri:noRegion><wicri:noRegion>Giessen</wicri:noRegion><wicri:noRegion>Giessen</wicri:noRegion></affiliation></author></analytic><series><title level="j">Frontiers in psychology</title><idno type="ISSN">1664-1078</idno><imprint><date when="2020" type="published">2020</date></imprint></series></biblStruct></sourceDesc></fileDesc><profileDesc><textClass></textClass></profileDesc></teiHeader><front><div type="abstract" xml:lang="en">The present study examines the prevalence, localization, frequency, and intensity of playing-related pain (PRP) in a sample of high-performing young musicians. We also address coping behavior and communication about PRP between young musicians, teachers, parents, and other people, such as friends. The aim is to provide information on PRP among high-performing musicians in childhood and adolescence, which can serve as a basis for music education, practice, and prevention in the context of instrumental teaching and musicians' health. The study is part of a large-scale study (<i>N</i> = 1,143) with highly musically gifted participants (age 9-24 years; <i>M</i> = 15.1; <i>SD</i> = 2.14, female = 62%) at the national level of the "Jugend musiziert" (youth making music) contest. For data analyses, we used descriptive statistics, correlations, Chi<sup>2</sup>-tests, principal component analysis, Kruskal-Wallis <i>H</i> tests, and multivariate regression. About three-quarters (76%) of the surveyed participants stated that they had experienced pain during or after playing their instrument. Female musicians were significantly more frequently affected (79%) than male musicians (71%). With increasing age, the prevalence of PRP rises from 71 percent (9-13 years) to 85 percent (18-24 years). Regarding localization of pain, results are in line with many other studies with musculoskeletal problems the most common. Furthermore, data show a clear relationship between the duration of practice and the prevalence of PRP. Our study found averages of 7:18 h/week, whereas mean values of the duration of practice vary considerably between different instruments. The variance in practice duration is very large within the different instruments. Thus, when researching PRP, it is necessary to consider both the differences between different groups of instruments in the average duration of practice as well as the very large inter-individual variation in the duration of practice within a given instrument group. While just over half of the young musicians (56%) felt they had been taken seriously, 32 percent felt that their complaints were not completely taken seriously, and 12 percent did not feel taken seriously at all. Therefore, it is necessary to improve communication and information about PRP to prevent PRP and counteract existing complaints.</div></front></TEI><pubmed><MedlineCitation Status="PubMed-not-MEDLINE" Owner="NLM"><PMID Version="1">33391080</PMID><DateRevised><Year>2021</Year><Month>01</Month><Day>05</Day></DateRevised><Article PubModel="Electronic-eCollection"><Journal><ISSN IssnType="Print">1664-1078</ISSN><JournalIssue CitedMedium="Print"><Volume>11</Volume><PubDate><Year>2020</Year></PubDate></JournalIssue><Title>Frontiers in psychology</Title><ISOAbbreviation>Front Psychol</ISOAbbreviation></Journal><ArticleTitle>High-Performing Young Musicians' Playing-Related Pain. Results of a Large-Scale Study.</ArticleTitle><Pagination><MedlinePgn>564736</MedlinePgn></Pagination><ELocationID EIdType="doi" ValidYN="Y">10.3389/fpsyg.2020.564736</ELocationID><Abstract><AbstractText>The present study examines the prevalence, localization, frequency, and intensity of playing-related pain (PRP) in a sample of high-performing young musicians. We also address coping behavior and communication about PRP between young musicians, teachers, parents, and other people, such as friends. The aim is to provide information on PRP among high-performing musicians in childhood and adolescence, which can serve as a basis for music education, practice, and prevention in the context of instrumental teaching and musicians' health. The study is part of a large-scale study (<i>N</i> = 1,143) with highly musically gifted participants (age 9-24 years; <i>M</i> = 15.1; <i>SD</i> = 2.14, female = 62%) at the national level of the "Jugend musiziert" (youth making music) contest. For data analyses, we used descriptive statistics, correlations, Chi<sup>2</sup>-tests, principal component analysis, Kruskal-Wallis <i>H</i> tests, and multivariate regression. About three-quarters (76%) of the surveyed participants stated that they had experienced pain during or after playing their instrument. Female musicians were significantly more frequently affected (79%) than male musicians (71%). With increasing age, the prevalence of PRP rises from 71 percent (9-13 years) to 85 percent (18-24 years). Regarding localization of pain, results are in line with many other studies with musculoskeletal problems the most common. Furthermore, data show a clear relationship between the duration of practice and the prevalence of PRP. Our study found averages of 7:18 h/week, whereas mean values of the duration of practice vary considerably between different instruments. The variance in practice duration is very large within the different instruments. Thus, when researching PRP, it is necessary to consider both the differences between different groups of instruments in the average duration of practice as well as the very large inter-individual variation in the duration of practice within a given instrument group. While just over half of the young musicians (56%) felt they had been taken seriously, 32 percent felt that their complaints were not completely taken seriously, and 12 percent did not feel taken seriously at all. Therefore, it is necessary to improve communication and information about PRP to prevent PRP and counteract existing complaints.</AbstractText><CopyrightInformation>Copyright © 2020 Gembris, Menze, Heye and Bullerjahn.</CopyrightInformation></Abstract><AuthorList CompleteYN="Y"><Author ValidYN="Y"><LastName>Gembris</LastName><ForeName>Heiner</ForeName><Initials>H</Initials><AffiliationInfo><Affiliation>Faculty of Cultural Studies, Institute for Research on Musical Ability, Paderborn University, Paderborn, Germany.</Affiliation></AffiliationInfo></Author><Author ValidYN="Y"><LastName>Menze</LastName><ForeName>Jonas</ForeName><Initials>J</Initials><AffiliationInfo><Affiliation>Faculty of Cultural Studies, Institute for Research on Musical Ability, Paderborn University, Paderborn, Germany.</Affiliation></AffiliationInfo></Author><Author ValidYN="Y"><LastName>Heye</LastName><ForeName>Andreas</ForeName><Initials>A</Initials><AffiliationInfo><Affiliation>Faculty of Linguistics and Literary Studies, Art and Music Education, Bielefeld University, Bielefeld, Germany.</Affiliation></AffiliationInfo></Author><Author ValidYN="Y"><LastName>Bullerjahn</LastName><ForeName>Claudia</ForeName><Initials>C</Initials><AffiliationInfo><Affiliation>Department of Social Sciences and Cultural Studies, Institute of Musicology and Music Education, Justus Liebig University Giessen, Giessen, Germany.</Affiliation></AffiliationInfo></Author></AuthorList><Language>eng</Language><PublicationTypeList><PublicationType UI="D016428">Journal Article</PublicationType></PublicationTypeList><ArticleDate DateType="Electronic"><Year>2020</Year><Month>12</Month><Day>16</Day></ArticleDate></Article><MedlineJournalInfo><Country>Switzerland</Country><MedlineTA>Front Psychol</MedlineTA><NlmUniqueID>101550902</NlmUniqueID><ISSNLinking>1664-1078</ISSNLinking></MedlineJournalInfo><KeywordList Owner="NOTNLM"><Keyword MajorTopicYN="N">adolescents</Keyword><Keyword MajorTopicYN="N">high performers</Keyword><Keyword 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